Creating Our Own : Folklore, Performance, and Identity in Cuzco, Peru /

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Analyzes the key role that the production of "folkloric" music, dance, and drama has had in the formation of ethnic/racial identities, regionalism, and nationalism in Cuzco, Peru during the twentieth century.

Détails bibliographiques
Auteur principal: Mendoza, Zoila S., 1960- (Auteur)
Format: Électronique eBook
Langue:Inglés
Español
Publié: Durham : Duke University Press, 2008.
Édition:[English ed.].
Collection:Book collections on Project MUSE.
Sujets:
Drama > Quechua > Geschichte 20. Jh.
Tanz > Quechua > Geschichte 20. Jh.
Musik > Quechua > Geschichte 20. Jh.
Volksmusik > Cuzco > Geschichte 20. Jh.
Ethnische Identität > Musik > Peru > Geschichte 20. Jh.
Musik > Ethnische Identität > Peru > Geschichte 20. Jh.
Nationalism.
National characteristics, Peruvian.
Manners and customs.
Folklore > Performance.
Folklore.
Ethnicity.
Peruvians.
SOCIAL SCIENCE > Anthropology > Cultural.
SOCIAL SCIENCE > Folklore & Mythology.
Nationalisme > Perou > Cuzco.
Peruviens.
Ethnicite > Perou > Cuzco.
Folklore > Interpretation > Perou > Cuzco.
Folklore > Perou > Cuzco.
Nationalism > Peru > Cuzco.
Ethnicity > Peru > Cuzco.
Folklore > Performance > Peru > Cuzco.
Folklore > Peru > Cuzco.
Peru > Cuzco.
Cuzco (Peru) > Social life and customs.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: Revisiting Indigenismo and Folklore
  • The Mision Peruana de Arte Incaico and the Development of Artistic-Folkloric Production in Cuzco
  • The Rise of Cultural Institutions and Contests
  • Touristic Cuzco, Its Monuments, and Its Folklore
  • La Hora del Charango: The Cholo Feeling, Cuzquenoness, and Peruvianness
  • Creative Effervescence and the Consolidation of Spaces for "Folklore"
  • Epilogue: Who Will Represent What Is Our Own? Some Paradoxes of Andean Folklore Both Inside and Outside Peru.

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