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Queen for a Day : Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela /

Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezu...

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Detalles Bibliográficos
Autor principal: Ochoa, Marcia, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ochoa, Marcia,  |d 1970-  |e author. 
245 1 0 |a Queen for a Day :   |b Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela /   |c Marcia Ochoa. 
264 1 |a Durham :  |b Duke University Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2014. 
300 |a 1 online resource (294 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Perverse modernities / a series edited by Judith Halberstam and LIsa Lowe 
505 0 |a Introducing ... the queen -- Belleza Venezolana: media, race, modernity, and nation in the twentieth-century Venezuelan beauty contest -- La moda nace en Paris y muere en Caracas: fashion, beauty, and consumption on the (trans)national -- La reina de la noche: performance, sexual subjectivity, and the form of the beauty -- Pageant in Venezuela -- Pasarelas y perolones: transformista mediations on avenida libertador in Caracas -- Sacar el cuerpo : transformista and Miss Embodiment -- Spectacular femininities -- Epilogue: democracy and melodrama: frivolity, fracaso, and political violence in Venezuela. 
520 |a Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delv. 
588 |a Description based on print version record. 
650 7 |a Transsexuals.  |2 fast  |0 (OCoLC)fst01155432 
650 7 |a Femininity.  |2 fast  |0 (OCoLC)fst00922657 
650 7 |a Beauty contestants.  |2 fast  |0 (OCoLC)fst00829348 
650 7 |a SOCIAL SCIENCE  |x Gender Studies.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 6 |a Feminite  |z Venezuela. 
650 6 |a Candidates (Concours de beaute)  |z Venezuela. 
650 6 |a Transsexuels  |z Venezuela. 
650 0 |a Femininity  |z Venezuela. 
650 0 |a Beauty contestants  |z Venezuela. 
650 0 |a Transsexuals  |z Venezuela. 
651 7 |a Venezuela.  |2 fast  |0 (OCoLC)fst01204166 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/69561/ 
945 |a Project MUSE - Custom Collection