Phonographies : Grooves in Sonic Afro-Modernity /

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Détails bibliographiques
Auteur principal: Weheliye, Alexander G., 1968-
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2005.
Collection:Book collections on Project MUSE.
Sujets:
Afroamerikanische Musik
Sound
Schwarze
Musik
Popular music > Social aspects.
Music and literature.
Black people > Music.
African Americans > Music.
Musique et litterature > Histoire > 20e siecle.
Noirs americains > Musique > 20e siecle > Histoire et critique.
Personnes noires > Musique > 20e siecle > Histoire et critique.
Son > Enregistrement et reproduction > Aspect social.
Musique populaire > Aspect social > Histoire > 20e siecle.
Music and literature > History > 20th century.
African Americans > Music > 20th century > History and criticism.
Black people > Music > 20th century > History and criticism.
Sound > Recording and reproducing > Social aspects.
Popular music > Social aspects > History > 20th century.
USA.
USA
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Intro : It's beginning to feel like
  • Hearing sonic Afro-modernity
  • "I am I be" : a subject of sonic Afro-modernity
  • In the mix
  • Consuming sonic technologies
  • Sounding diasporic citizenship
  • Outro : thinking sound/sound thinking (slipping into the breaks remix).

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