Money, Trains, and Guillotines : Art and Revolution in 1960s Japan /

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During the 1960s, a group of artists challenged the status quo in Japan through interventionist art. William Mariotti situates the artists in relation to postwar Japan and the international activism of the 1960s.

Detalles Bibliográficos
Autor principal: Marotti, William A. (William Arthur) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham and London : Duke University Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Art and Design.
Politics and culture > Japan.
Avant-garde (Aesthetics) > Japan > History > 20th century.
Arts and society > Japan > History > 20th century.
Arts > Political aspects > Japan > History > 20th century.
Arts, Japanese > 20th century.
Kunst
Politics and culture.
Avant-garde (Aesthetics)
Arts > Political aspects.
Arts, Japanese.
Arts and society.
ART > History > Contemporary (1945- )
ART > Asian.
Politique et culture > Japon.
Arts et societe > Japon > Histoire > 20e siecle.
Arts > Aspect politique > Japon > Histoire > 20e siecle.
Arts japonais > 20e siecle.
Japan
Japan.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part I. Art against the Police: Akasegawa Genpei's 1,000-Yen Prints, the State, and the Borders of the Everyday. The Vision of the Police
  • The Occupation, the New Emperor System, and the Figure of Japan
  • The Process of Art
  • Part II. Artistic Practice Finds Its Object: The Avant-Garde and the Yomiuri Independant
  • The Yomiuri Independant: Making and Displacing History
  • The Yomiuri Anpan
  • Part III. Theorizing Art and Revolution.
  • Beyond the Guillotine: Speaking of Art/ Art Speaking
  • Naming the Real
  • The Moment of the Avant-Garde.

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