Cargando…
Listening to Images /
Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intended to dehumanize and p...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2017.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_69323 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905051148.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 161004t20172017ncu o 00 0 eng d | ||
| 010 | |z 2016046044 | ||
| 020 | |a 9780822373582 | ||
| 020 | |z 9780822362555 | ||
| 020 | |z 9780822362708 | ||
| 035 | |a (OCoLC)1140736619 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Campt, Tina, |d 1964- |e author. | |
| 245 | 1 | 0 | |a Listening to Images / |c Tina M. Campt. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2017. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2017. | |
| 300 | |a 1 online resource (148 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Quiet soundings : the grammar of Black futurity -- Striking poses in a tense grammar : stasis and the frequency of Black refusal -- Haptic temporalities : the quiet frequency of touch -- Black futurity in the shadow of premature death. | |
| 520 | |a Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intended to dehumanize and police their subjects. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Portrait photography |x Social aspects. |2 fast |0 (OCoLC)fst01072266 | |
| 650 | 7 | |a Identification photographs. |2 fast |0 (OCoLC)fst00966888 | |
| 650 | 7 | |a African diaspora. |2 fast |0 (OCoLC)fst00799755 | |
| 650 | 7 | |a Africans. |2 fast |0 (OCoLC)fst00799938 | |
| 650 | 7 | |a Black people. |2 fast |0 (OCoLC)fst00833880 | |
| 650 | 7 | |a PHOTOGRAPHY |x Criticism. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Photoessays & Documentaries. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Individual Photographers |x Artists' Books. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Collections, Catalogs, Exhibitions |x General. |2 bisacsh | |
| 650 | 7 | |a identification photographs. |2 aat | |
| 650 | 6 | |a Africains |z Pays etrangers. | |
| 650 | 6 | |a Africains |v Portraits. | |
| 650 | 6 | |a Noirs |v Portraits. | |
| 650 | 6 | |a Portraits (Photographie) |x Aspect politique |z États-Unis. | |
| 650 | 6 | |a Portraits (Photographie) |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Photographies d'identite. | |
| 650 | 0 | |a African diaspora. | |
| 650 | 0 | |a Africans |v Portraits. | |
| 650 | 0 | |a Black people |v Portraits. | |
| 650 | 0 | |a Portrait photography |x Political aspects |z United States. | |
| 650 | 0 | |a Portrait photography |x Social aspects |z United States. | |
| 650 | 0 | |a Identification photographs. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Portraits. |2 fast |0 (OCoLC)fst01423831 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/69323/ |
| 945 | |a Project MUSE - Custom Collection | ||