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Marshall Plan Modernism : Italian Postwar Abstraction and the Beginnings of Autonomia /
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singul...
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| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Durham :
Duke University Press,
2016.
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Introduction: labor, (workers') autonomy, (art) work
- The monochrome in the neocapitalist laboratory
- Lucio Fontana and the politics of the gesture
- Alberto Burri's plastics and the political aesthetics of opacity
- "We want to organicize disintegration"
- Conclusion: "Ready-made artist and human strike" or From autonomy to strike.