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Satire, Veneration, and St. Joseph in Art, c. 1300-1550 /

Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's percepti...

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Detalles Bibliográficos
Autor principal: Williams, Anne L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Williams, Anne L.,  |e author. 
245 1 0 |a Satire, Veneration, and St. Joseph in Art, c. 1300-1550 /   |c Anne L. Williams. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2019] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2019] 
300 |a 1 online resource (272 pages). 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Visual and material culture, 1300-1700 ;  |v 16 
505 0 |a Introduction -- Joseph's Hosen, Devotion, and Humor -- Satire Sacred and Profane -- Urbanitas, the Imago Humilis, and the Rhetoric of Humor in Sacred Art -- The Miserly Saint and the Multivalent Image: Sanctity, Satire, and Subversion -- Conclusion. 
520 |a Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies, by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences. 
588 |a Description based on print version record. 
600 0 7 |a Joseph,  |c Saint.  |2 fast  |0 (OCoLC)fst00047668 
600 0 1 |a Joseph,  |c Saint  |x In art. 
600 0 0 |a Joseph,  |c Saint  |x In art. 
650 7 |a Satire in art.  |2 fast  |0 (OCoLC)fst01105676 
650 7 |a Laughter in art.  |2 fast  |0 (OCoLC)fst00993565 
650 7 |a Christian art and symbolism.  |2 fast  |0 (OCoLC)fst00858904 
650 7 |a Altarpieces.  |2 fast  |0 (OCoLC)fst00806047 
650 7 |a ART  |x History  |x Renaissance.  |2 bisacsh 
650 6 |a Rire dans l'art. 
650 6 |a Satire dans l'art. 
650 0 |a Altarpieces. 
650 0 |a Laughter in art. 
650 0 |a Satire in art. 
650 0 |a Christian art and symbolism. 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/68877/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2019 Complete Supplement 
945 |a Project MUSE - 2019 Global Cultural Studies Supplement