The Spectacular City : Violence and Performance in Urban Bolivia /

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This study analyzes a popular festival and vigilante lynching, examining them as a form of political spectacle performed by improverished people who want to gain access to the potential benefits of citizenship in a modern city.

Détails bibliographiques
Auteur principal: Goldstein, Daniel M., 1965- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2004.
Collection:Book collections on Project MUSE.
Sujets:
Geschichte 1995-2004.
Sociale problemen.
Geweld.
Stadt
Gewalttätigkeit
Violence.
Political participation.
People with social disabilities > Political activity.
Lynching.
Festivals.
SOCIAL SCIENCE > Anthropology > Cultural.
SOCIAL SCIENCE > Sociology > General.
SOCIAL SCIENCE > Regional Studies.
SOCIAL SCIENCE > Anthropology > General.
Participation politique > Bolivie > Cochabamba (Cochabamba)
Violence > Bolivie > Cochabamba (Cochabamba)
Lynchage > Bolivie > Cochabamba (Cochabamba)
Festivals > Bolivie > Cochabamba (Cochabamba)
Personnes socialement defavorisees > Activite politique > Bolivie > Cochabamba (Cochabamba)
Action sociale > Aspect politique > Bolivie > Cochabamba (Cochabamba)
Political participation > Bolivia > Cochabamba.
Violence > Bolivia > Cochabamba.
Lynching > Bolivia > Cochabamba.
Festivals > Bolivia > Cochabamba.
People with social disabilities > Political activity > Bolivia > Cochabamba.
Social action > Political aspects > Bolivia > Cochabamba.
Bolivien
Bolivia > Cochabamba > Villa Sebastián Pagador.
Bolivia > Cochabamba.
Villa Sebastián Pagador (Cochabamba, Bolivie)
Villa Sebastián Pagador (Cochabamba, Bolivia)
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: becoming visible in neoliberal Bolivia
  • Ethnography, governmentality, and urban life
  • Urbanism, modernity, and migration in Cochabamba
  • Villa Sebastián Pagador and the politics of community
  • Performing national culture in the fiesta de San Miguel
  • Spectacular violence and citizen security
  • Conclusion: theaters of memory and the violence of citizenship.

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