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The Orient of Style : Modernist Allegories of Conversion /

In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came to symbolize the highest aspirations of literary representation. She demonstrates that through allegory, modernism became a style itself, a...

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Bibliographic Details
Main Author: Schlossman, Beryl, 1955- (Author)
Format: Electronic eBook
Language:Inglés
Published: Durham, NC : Duke University Press, 1991.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Texto completo
Description
Summary:In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came to symbolize the highest aspirations of literary representation. She demonstrates that through allegory, modernism became a style itself, a style that married the ancient and the modern and that emerged as both a cause and an effect, both an ideal construct and an textual materiality, all symbolized by the Orient-land of style, place of plurality, and site of the coexistence of holy lands. Toward the end of Remembrance of Things Past, t.
Physical Description:1 online resource (309 pages).
ISBN:9780822382997