Darkening Mirrors : Imperial Representation in Depression-Era African American Performance /

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Darkening Mirrors analyzes the complicated relationships between African American identity, as reflected in performances, and the forces of imperialist and racial oppression.

Détails bibliographiques
Auteur principal: Batiste, Stephanie Leigh, 1972-
Format: Électronique eBook
Langue:Inglés
Publié: Durham [N.C.] : Duke University Press, 2011.
Collection:Book collections on Project MUSE.
Sujets:
African Americans > Race identity.
African Americans in popular culture.
African Americans in motion pictures.
African American theater.
African American arts.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
Arts noirs americains > 20e siecle.
Noirs americains dans la culture populaire > Histoire > 20e siecle.
Noirs americains au cinema > Histoire > 20e siecle.
Theâtre noir americain > Histoire > 20e siecle.
Noirs americains > Identite ethnique > Histoire > 20e siecle.
African American arts > 20th century.
African Americans in popular culture > History > 20th century.
African Americans in motion pictures > History > 20th century.
African American theater > History > 20th century.
African Americans > Race identity > History > 20th century.
History.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • "Harlem rides the range" : expansion, modernity, and Negro success
  • Epaulets and leaf skirts, warriors and subversives : exoticism in the performance of the Haitian revolution
  • Prisms of imperial gaze : swinging the Negro Mikado
  • Lens/body : anthropology's methodologies and spaces of reflection in Dunham's diaspora
  • Ethnographic refraction : exoticism and diasporic sisterhood in The devil's daughter
  • No storm in the weather : domestic bliss and African American performance.

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