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190926t20192019mnu o 00 0 eng d |
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|z 2018046160
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|a 9781452959641
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|z 1452959641
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|z 9780816641338
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|a (OCoLC)1120972399
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
1 |
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|a Perez, Gilberto,
|d 1943-
|e author.
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| 245 |
1 |
4 |
|a The Eloquent Screen :
|b A Rhetoric of Film /
|c Gilberto Perez ; foreword by James Harvey.
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| 264 |
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1 |
|a Minneapolis :
|b University of Minnesota Press,
|c [2019]
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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| 264 |
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|c ©[2019]
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| 300 |
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|a 1 online resource (448 pages).
|
| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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0 |
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|a Intro; Contents; Publishers's Note; Foreword; On Gil Perez; Preface; Introduction: John Ford's Rhetoric; Judge Priest's Rhetoric; Plato and Cicero; Rhetoric and Comedy; Will Rogers and Stepin Fetchit; Identification; Comedy and Hierarchy; Larger Than Life; The River and the Dance; Politics and Principle; Myth and Truth; Rhetoric of Genre; House of Miscegenation; Road to the Promised Land; I. Cinematic Tropes; Metonymy; Tropes and Figures; Metaphor; The Unraveled Underwear; The Broken Necklace; Metaphor and Metonymy; Synecdoche; The Hands, the Bootie, the Sandals; Faces; The Stolen Necklace
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| 505 |
0 |
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|a RosebudHavana Stories; The Dancing Women; The Guillotine; Freedom and Predestination; The Puncture and the Veil; The Train Whistles and the Hunk of Blue; Documentary, Repetition, Representation; The Village Church; The Revolutionary Battleship; Allegory and Extended Synecdoche; The Monster and the City; Steamboat Willie; Figura Futurorum; The Marriage of East and West; The Walls of Jericho; Technique as Metaphor; The Road of Life; The Striped Box; Surprise; The Slashed Eye and the Primal Scene; The Priest and the Pineapple; Irony and Realism; The Bridge and the Ballad; Dramatic Irony
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|a The Hurdanos and UsIronic Self-Effacement; Open Synecdoche and the Reality Effect; Hometown and War; God Bless America; The High of War; Reflexivity and Comedy; Modernist Parody; Folk Tale and Revolution; Each Scene for Itself; Black Sheep; Flowers; Melodrama and Film Technique; Between Tragedy and Comedy; From Theater to Film; Thinking and Feeling; The Close-up as Aria; Melodramatic Argumentation; Novelistic Characterization; The Reverse Angle; McTeague and Greed; Photographer; Music into Drama; Melodrama of the Spirited Woman; The Ambiguity of Stella Dallas; Moving with Characters
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|a Not ReconciledIn the Mood for Love; Tragic Narration; The Personified Camera; Jump Cuts; Crosscutting; Split Space, Unbroken Time; Displeasure; The Devil's Point of View; Allegorical Dimensions; The Garden of Eden; Melodrama and Comedy; Of Identification; Notions and Kinds of Identification; The Projectionist; Notes; Index
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| 588 |
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|a Description based on print version record.
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| 650 |
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7 |
|a Subjectivity in motion pictures.
|2 fast
|0 (OCoLC)fst01136580
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| 650 |
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7 |
|a Motion pictures
|x Philosophy.
|2 fast
|0 (OCoLC)fst01027348
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| 650 |
|
7 |
|a Motion picture plays.
|2 fast
|0 (OCoLC)fst01027218
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| 650 |
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7 |
|a Metaphor in motion pictures.
|2 fast
|0 (OCoLC)fst01018300
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| 650 |
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7 |
|a PERFORMING ARTS
|x Screenplays.
|2 bisacsh
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| 650 |
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6 |
|a Scenarios de cinema
|x Histoire et critique.
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| 650 |
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6 |
|a Metaphore au cinema.
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| 650 |
|
6 |
|a Subjectivite au cinema.
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| 650 |
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0 |
|a Motion picture plays
|x History and criticism.
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| 650 |
|
0 |
|a Metaphor in motion pictures.
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| 650 |
|
0 |
|a Subjectivity in motion pictures.
|
| 650 |
|
0 |
|a Motion pictures
|x Philosophy.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 655 |
|
7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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0 |
|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/68086/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2019 Complete
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| 945 |
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|a Project MUSE - 2019 Film, Theater and Performing Arts
|
