The synthetic proposition : Conceptualism and the political referent in contemporary art /

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Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-c...

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Detalles Bibliográficos
Autor principal: Shaked, Nizan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Conceptualism.
Conceptual art.
Art > Political aspects.
ART > Conceptual.
ART > History > General.
Art > Aspect politique > États-Unis.
Conceptualisme.
Art conceptuel > États-Unis.
Art > Political aspects > United States.
Conceptual art > United States.
United States.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Series page; Title page; Copyright page; Dedication; Contents; Figures; Acknowledgements; Introduction; 1 Conceptual Art and identity politics: from the 1960s to the 1990s; 2 Adrian Piper: the body after conceptualism; 3 The synthetic proposition: conceptualism as political art; 4 The political referent in debate: identity, difference, representation; 5 Institutional gender: from Hans Haacke's Systems Theory to Andrea Fraser's feminist economies; A state of passionate detachment: Charles Gaines by way of conclusion; Bibliography; Index.

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