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Productive failure : Writing queer transnational South Asian art histories /

This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly...

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Detalles Bibliográficos
Autor principal: Patel, Alpesh Kantilal (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Patel, Alpesh Kantilal,  |e author. 
245 1 0 |a Productive failure :   |b Writing queer transnational South Asian art histories /   |c Alpesh Kantilal Patel. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2017. 
300 |a 1 online resource (296 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Rethinking art's histories 
505 0 |a Introduction: towards creolizing transnational South Asian art histories -- Authorship: Anish Kapoor as British/Asian/artist -- Form: queer zen -- Subject matter: writing as a racial pharmakon -- Space/site: writing queer feminist transnational South Asian art histories -- 'Practice-led': producing art, producing art history -- Affect belonging. 
520 8 |a This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history. 
588 |a Description based on print version record. 
650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Homosexuality and art.  |2 fast  |0 (OCoLC)fst00959813 
650 7 |a Art  |x Historiography.  |2 fast  |0 (OCoLC)fst00815259 
650 7 |a Art and race.  |2 fast  |0 (OCoLC)fst00815423 
650 7 |a Art.  |2 fast  |0 (OCoLC)fst00815177 
650 7 |a ART  |x Asian.  |2 bisacsh 
650 7 |a ART  |x History  |x General.  |2 bisacsh 
650 6 |a Theorie queer. 
650 6 |a Homosexualite et art. 
650 6 |a Art et race. 
650 6 |a Art  |x Historiographie. 
650 6 |a Art  |z Asie meridionale  |x Histoire. 
650 0 |a Queer theory. 
650 0 |a Homosexuality and art. 
650 0 |a Art and race. 
650 0 |a Art  |x Historiography. 
650 0 |a Art  |z South Asia  |x History. 
651 7 |a South Asia.  |2 fast  |0 (OCoLC)fst01244520 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/67329/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Global Cultural Studies Supplement 
945 |a Project MUSE - 2018 Asian and Pacific Studies Supplement 
945 |a Project MUSE - 2018 Complete Supplement