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190222s2018 xx o 00 0 eng d |
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|a 9789048525607
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|a (OCoLC)1087502785
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|a MdBmJHUP
|c MdBmJHUP
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|a Hörl, Erich,
|e author.
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|a Sacred Channels :
|b The Archaic Illusion of Communication /
|c Erich Hörl ; with a preface by Jean-Luc Nancy ; translated by Nils F. Schott.
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|a [Place of publication not identified] :
|b Amsterdam University Press,
|c 2018.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©2018.
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|a 1 online resource (342 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Recursions: Theories of Media, Materiality, and Cultural Techniques
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|a "Originally published in 2005 as Die heiligen Kanäle: Die archaische Illusion der Kommunikation by diaphanes, Zurich."--Title page verso.
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|t Frontmatter --
|t Contents --
|t From Aristotle to Hörl /
|r Nancy, Jean-Luc --
|t Preface to the German Edition --
|t Preface to the English Translation --
|t Introduction --
|t Part I In the Shadow of Formalization A History of Thinking --
|t 1. Blind Thinking around 1900 --
|t 2. The Symbolic and Communication --
|t 3. The Sacred and the Genealogy of Thinking --
|t Part II The Specter of the Primitive A Hauntology of Communication --
|t 4. The Night of the Human Being --
|t 5. The End of the Archaic Illusion --
|t Appendix --
|t Bibliography --
|t Index of Names
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|a Erich Hörl's Sacred Channels is an original take on the history of communication theory and the cultural imaginary of communication understood through the notions of the sacred and the primitive. Hörl offers insight into the shared ground of anthropology and media theory in the nineteenth and twentieth centuries and presents an archeology of the philosophy of technology that underpins contemporary culture. This singular and unique project focuses on the ethnological disciplines and their phantasmatic imaginations of a prealphabetical realm of the sacred and the primitive but reads them in the context of media cultural questions as epistemic unconscious and as projections of the emerging postalphabetical condition. Drawing inspiration from work by the likes of Friedrich Kittler, Hörl's understanding of cybernetics in the post-World War II interdisciplinary field informs a rich analysis that is of interest to media scholars and to anyone seeking to understand the historical and theoretical underpinnings of the humanities in the age of technical media.
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|a Description based on print version record.
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650 |
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7 |
|a Information theory.
|2 fast
|0 (OCoLC)fst00973149
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650 |
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|a Communication
|x Philosophy.
|2 fast
|0 (OCoLC)fst00869981
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650 |
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|a SOCIAL SCIENCE
|x Sociology
|x General.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Regional Studies.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Anthropology
|x General.
|2 bisacsh
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650 |
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|a Theorie de l'information
|y 20e siecle.
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650 |
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6 |
|a Theorie de l'information
|y 19e siecle.
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650 |
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|a Information theory
|y 20th century.
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650 |
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|a Information theory
|y 19th century.
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650 |
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|a Communication
|x Philosophy.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/66644/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement IX
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement IX
|