Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment /
Critics have largely neglected the color films of French film director Robert Bresson (1901?99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-gard...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
[2018]
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Bresson's debt to painting: iconography, lighting, color, and framing practices
- The turn to postwar abstraction: action painting, L'Art Informel, and Le Nouveau Realisme
- Bresson's flirtation with surrealism: sexual desire, masochism, and abjection
- The design and pattern of the whole: constructivist painting and theater
- Between constructivism and minimalism: Bresson's ambivalence toward the modern