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190518s2019 azu o 00 0 eng d |
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|a 9780816539093
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|z 9780816538447
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|a (OCoLC)1101044037
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|a MdBmJHUP
|c MdBmJHUP
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|a Dupey García, Élodie.
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|a Painting the Skin :
|b Pigments on Bodies and Codices in Pre-Columbian Mesoamerica
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|a Tucson :
|b University of Arizona Press,
|c 2019.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©2019.
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|a 1 online resource (328 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; Title page; Copyright; Contents; Foreword: Skin-Deep / Stephen Houston; Acknowledgments; Introduction: Colors and the Skin in Pre-Columbian Mesoamerica / Élodie Dupey García and María Luisa Vázquez de ágredos Pascual; Part I. Coloring Alive and Dead Bodies: Materiality and Significance of Mesoamerican Corporal Painting; 1. Painting the Skin in Ancient Mesoamerica / María Luisa Vázquez de ágredos Pascual; 2. Materiality and Meaning of Medicinal Body Colors in Teotihuacan / María Luisa Vázquez de ágredos Pascual, Selim Natahi, Veronique Darras, and Linda R. Manzanilla Naim
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|a 3. Painting the Dead in the Northern Maya Lowlands / Vera Tiesler, Kadwin Perez López, and Patricia Quintana Owen4. Body Colors and Aromatics in Maya Funerary Rites / María Luisa Vázquez de ágredos Pascual, Cristina Vidal Lorenzo, Patricia Horcajada Campos, and Vera Tiesler; 5. Body Color and Body Adornment at Chichen Itzá / Virginia E. Miller; 6. The Yellow Women: Naked Skin, Everyday Cosmetics, and Ritual Body Painting in Postclassic Nahua Society / Élodie Dupey García
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|a 7. The Colors of the Desert: Ritual and Aesthetic Uses of Pigments and Colorants by the Guachichil of Northern Mexico / Olivia KindlPart II. Illuminating Animal and Vegetal Skins: Chromatic Palettes and Meaning in Pre-Columbian Codices; 8. Coloring Materials, Technological Practices, and Painting Traditions: Cultural and Historical Implications of Nondestructive Chemical Analyses of Pre-Hispanic Mesoamerican Codices / Davide Domenici, Costanza Miliani, David Buti, Brunetto Giovanni Brunetti, and Antonio Sgamellotti
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|a 9. The Study of Color in the Colombino Codex: An Experimental Approach / Tatiana Falcón10. Preliminary Investigation on the Codex Borbonicus: Macroscopic Examination and Coloring Materials Characterization / Fabien Pottier, Anne Michelin, Anne Genachte-Le Bail, Aurelie Tournie, Christine Andraud, Fabrice Goubard, Aymeric Histace, and Bertrand Lavedrine; 11. Convergence and Difference in the Borgia Group Chromatic Palettes / Élodie Dupey García and María Isabel Álvarez Icaza Longoria
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|a 12. Making and Using Colors in the Manufacture of Nahua Codices: Aesthetic Standards, Symbolic Purposes / Élodie Dupey García13. Skin of Walls: Plaster Practices Across Maya Books, Buildings, and People / Franco D. Rossi; Epilogue: The Painted Skin, a Cultural and Sensorial Legacy / María Luisa Vázquez de ágredos Pascual and Élodie Dupey García; References; Contributors; Index
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|a Description based on print version record.
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| 650 |
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7 |
|a Manuscripts, Mexican (Pre-Columbian)
|2 fast
|0 (OCoLC)fst01008435
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| 650 |
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|a Indians of Mexico
|x Social life and customs.
|2 fast
|0 (OCoLC)fst00969620
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| 650 |
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|a Illumination of books and manuscripts, Mexican.
|2 fast
|0 (OCoLC)fst00967330
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| 650 |
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7 |
|a Cosmetics.
|2 fast
|0 (OCoLC)fst00880500
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| 650 |
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6 |
|a Manuscrits mexicains precolombiens.
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| 650 |
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0 |
|a Illumination of books and manuscripts, Mexican
|x History
|y To 1500.
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| 650 |
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0 |
|a Manuscripts, Mexican (Pre-Columbian)
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| 650 |
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0 |
|a Indians of Mexico
|x Social life and customs.
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| 650 |
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0 |
|a Cosmetics
|z Mexico
|x History
|y To 1500.
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| 651 |
|
7 |
|a Mexico.
|2 fast
|0 (OCoLC)fst01211700
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| 655 |
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7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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| 655 |
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|a Electronic books.
|2 local
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| 700 |
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|a Vázquez de Ágredos Pascual, María Luisa.
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| 710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/65873/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2019 Latin American and Caribbean Studies
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| 945 |
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|a Project MUSE - 2019 Complete
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| 945 |
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|a Project MUSE - 2019 Archaeology and Anthropology
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