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musev2_64499 |
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m o d |
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150815s2016 nju o 00 0 eng d |
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|a 9781400873432
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|z 9780691167503
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|z 9780691167695
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|a (OCoLC)1132671058
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
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|a Sze-Lorrain, Fiona,
|e author.
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|a The Ruined Elegance :
|b Poems /
|c Fiona Sze-Lorrain.
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|a Princeton, New Jersey :
|b Princeton University Press,
|c [2016]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©[2016]
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| 300 |
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|a 1 online resource (72 pages).
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Princeton series of contemporary poets
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|a Cover; Title; Copyright; Contents; I WRONG EPIC; Given Silence; Towering; I Wait for the Ruined Elegance; Back from the Aegean Sea; In the Thick of It; Ionian Supper; Partita, but Nothing to Do with Bach; Few Days before Christmas; II IN A GODLESS TIME; Beginning; Spring Massacre; Mausoleum; Backstage; Day Seven; Center of a Journey; Am I What the Lake Gave Me; Meditation; Dusty Citadel; III THE BOOK, A SIMPLER GRAVE; To Whom It May Concern; Granted Asylum; Against Prologue; To Survive When It Must; Midnight Almanac; Yield, Please; Anna Akhmatova, or the Thoughts She Didn't Write.
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|a An Uprising Committed to LonghandGenevieve de Gaulle-Anthonioz took more than fifty years before writing Ravensbrück down in La Traversee de la nuit; Chosen by the Narrator; Cantabile (ma stonato); IV CAUGHT IN DEFIANCE; Transparent; Ink Painting from the Joseon Dynasty; What's Left of a Sijo; Chiaroscuro, 2 a.m.; Bonnard's Naked Wife Leaving the Bathtub; La Chambre d'ecoute; Three Moves, Clockwise; Om dhrung svaha; My Hiroshige; Peintre; Jardins sous la pluie; NOTES; ACKNOWLEDGMENTS.
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|a In her new collection, Fiona Sze-Lorrain offers a nuanced yet dynamic vision of humanity marked by perils, surprises, and the transcendence of a "ruined elegance." Through an intercultural journey that traces lives, encounters, exiles, and memories from France, America, and Asia, the poet explores a rich array of historical and literary allusions to European masters, Asian sources, and American influences. With candor and humor, each lyrical foray is sensitive to silence and experience: "I want to honor / the invisible. I'll use the fog to see white peaches."
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|a Description based on print version record.
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| 650 |
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7 |
|a Literature, Modern.
|2 fast
|0 (OCoLC)fst01000172
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| 650 |
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7 |
|a English poetry.
|2 fast
|0 (OCoLC)fst00912278
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| 650 |
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|a POETRY
|x General.
|2 bisacsh
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| 650 |
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|a Litterature
|y 21e siecle.
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| 650 |
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|a Poesie anglaise.
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| 650 |
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|a Literature, Modern
|y 21st century.
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| 650 |
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0 |
|a English poetry.
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| 655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/64499/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - Archive Complete Supplement VIII
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| 945 |
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|a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement VIII
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