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Caught between the Lines : Captives, Frontiers, and National Identity in Argentine Literature and Art /

Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-c...

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Detalles Bibliográficos
Autor principal: Riobó, Carlos, 1968- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lincoln : University of Nebraska Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Riobó, Carlos,  |d 1968-  |e author. 
245 1 0 |a Caught between the Lines :   |b Captives, Frontiers, and National Identity in Argentine Literature and Art /   |c Carlos Riobó. 
264 1 |a Lincoln :  |b University of Nebraska Press,  |c [2019] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2019] 
300 |a 1 online resource (198 pages). 
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490 0 |a New hispanisms 
505 0 |a The national trope of captivity within Argentine history -- Crossing borders: Mestizaje and frontiers -- Ambivalent histories: an early legend and a first-person account -- Captives in Argentine literature -- Visual representations of captives in Argentine art. 
520 |a Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of "civilization versus barbary," which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity--a mestizo or culturally mixed identity--that went against the state compulsion for a racially pure identity. This mestizaje was signified not only in Argentina's literature but also in its art, and Riobó thus analyzes colonial paintings as well as texts. Caught between the Lines focuses on borders and mestizaje (both biological and cultural) as they relate to captives: specifically, how captives have been used to create a national image of Argentina that relies on a logic of separation to justify concepts of national purity and to deny transculturation. 
588 |a Description based on print version record. 
650 7 |a National characteristics, Argentine, in literature.  |2 fast  |0 (OCoLC)fst01033357 
650 7 |a Literature and society.  |2 fast  |0 (OCoLC)fst01000096 
650 7 |a Captivity in literature.  |2 fast  |0 (OCoLC)fst01902675 
650 7 |a Boundaries in literature.  |2 fast  |0 (OCoLC)fst00837088 
650 7 |a Boundaries in art.  |2 fast  |0 (OCoLC)fst00837087 
650 7 |a Arts, Argentine.  |2 fast  |0 (OCoLC)fst00817903 
650 7 |a Arts and society.  |2 fast  |0 (OCoLC)fst00817856 
650 7 |a Argentine literature.  |2 fast  |0 (OCoLC)fst00814270 
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650 7 |a LITERARY CRITICISM  |x European  |x Spanish & Portuguese.  |2 bisacsh 
650 6 |a Frontieres dans la litterature. 
650 6 |a Frontieres dans l'art. 
650 6 |a Captivite dans la litterature. 
650 6 |a Arts et societe  |z Argentine. 
650 6 |a Litterature et societe  |z Argentine. 
650 6 |a Argentins dans la litterature. 
650 6 |a Arts argentins. 
650 6 |a Litterature argentine  |x Histoire et critique. 
650 0 |a Boundaries in literature. 
650 0 |a Boundaries in art. 
650 0 |a Captivity in literature. 
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650 0 |a Literature and society  |z Argentina. 
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650 0 |a Arts, Argentine. 
650 0 |a Argentine literature  |x History and criticism. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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