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Imagining the popular in contemporary French culture /

This groundbreaking book is about what 'popular culture' means in France, and how the term's shifting meanings have been negotiated and contested. It represents the first theoretically informed study of the way that popular culture is lived, imagined, fought over and negotiated in mod...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Looseley, David (Editor ), Holmes, Diana, 1949- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2018
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Imagining the popular in contemporary French culture /   |c edited by Diana Holmes and David Looseley. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2018 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2018 
300 |a 1 online resource (264 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [235]-246) and index. 
505 0 |a Imagining the popular: highbrow, lowbrow, middlebrow -- Politics and pleasure: inventing popular culture in contemporary France -- Authenticity and appropriation: a discursive history of French popular music -- The mimetic prejudice: the popular novel in France -- Why popular films are popular: identification, imitation and critical mortification -- French television: negotiating the national popular -- Social and linguistic change in French: does popular culture mean popular language? 
506 |a Access restricted to authorized users and institutions. 
520 |a This groundbreaking book is about what 'popular culture' means in France, and how the term's shifting meanings have been negotiated and contested. It represents the first theoretically informed study of the way that popular culture is lived, imagined, fought over and negotiated in modern and contemporary France. It covers a wide range of overarching concerns: the roles of state policy, the market, political ideologies, changing social contexts and new technologies in the construction of the popular. But it also provides a set of specific case studies showing how popular songs, stories, films, TV programmes and language styles have become indispensable elements of 'culture' in France. Deploying yet also rethinking a 'Cultural Studies' approach to the popular, the book therefore challenges dominant views of what French culture really means today. 
588 |a Description based on print version record. 
650 0 |a Popular culture  |z France. 
650 0 |a National characteristics, French. 
651 0 |a France  |x Politics and government. 
651 0 |a France  |x Economic conditions. 
651 0 |a France  |x Civilization  |y 1945- 
651 0 |a France  |x Social conditions. 
651 0 |a France  |x Social life and customs. 
655 7 |a Electronic books.   |2 local 
700 1 |a Looseley, David,  |e editor. 
700 1 |a Holmes, Diana,  |d 1949-  |e editor. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9780719078163 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/63331/ 
945 |a Project MUSE - Custom Collection