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Thomas Hood and nineteenth-century poetry : Work, play, and politics /

This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood's quirky, diverse output bridges the years between 1820 and 1845 and offers fa...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lodge, Sara (Sara J.) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York [New York] : Manchester University Press, 2007.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lodge, Sara  |q (Sara J.),  |e author. 
245 1 0 |a Thomas Hood and nineteenth-century poetry :   |b Work, play, and politics /   |c Sara Lodge. 
264 1 |a New York [New York] :  |b Manchester University Press,  |c 2007. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2007. 
300 |a 1 online resource (232 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [203]-209) and index. 
505 0 |a Material backgrounds : print, dissent, and the social society -- Hood and the minor : at the London Magazine and after -- Performing the city : the audience as subject -- A common centaur : Hood and the grotesque -- Pun and pleasure : Hood's tied trope -- Sine qua non-sense : work, play, and criticism. 
506 |a Access restricted to authorized users and institutions. 
520 |a This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood's quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. Lodge's timely book explores the relationship between Hood's playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption.Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood's trademark puns; theatre, leisure and the 'labour question'. Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies. 
588 |a Description based on print version record. 
600 1 0 |a Hood, Thomas,  |d 1799-1845  |x Criticism and interpretation. 
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776 1 8 |i Print version:  |z 9780719076268 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/63309/ 
945 |a Project MUSE - Custom Collection