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171005t20182018cau o 00 0 eng d |
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|z 2017048225
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|a 9780520968219
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|z 9780520279377
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|z 9780520279384
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|z 0520968212
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|a (OCoLC)1005776511
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|a MdBmJHUP
|c MdBmJHUP
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|a Chapman, Dale,
|d 1972-
|e author.
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|a The Jazz Bubble :
|b Neoclassical Jazz in Neoliberal Culture /
|c Dale Chapman.
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|a Oakland, California :
|b University of California Press,
|c [2018]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©[2018]
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|a 1 online resource (296 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Introduction : banks, bonds, and blues -- "Controlled freedom" : jazz, risk, and political economy -- "Homecoming" : Dexter Gordon and the 1970s fiscal crisis in New York City -- Selling the songbook: the political economy of Verve Records (1956-1990) -- Bronfman's bauble: the corporate history of the Verve Music Group (1990-2005) -- Jazz and the right to the city : jazz venues and the legacy of urban redevelopment in California -- "The Yoshi's effect" : jazz, speculative urbanism, and urban redevelopment in contemporary San Francisco.
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|a "Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities."--Provided by publisher.
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|a Description based on print version record.
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|a Music-halls (Variety-theaters, cabarets, etc.)
|2 fast
|0 (OCoLC)fst01030677
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|a Jazz
|x Social aspects.
|2 fast
|0 (OCoLC)fst00982185
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650 |
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|a Jazz
|x Economic aspects.
|2 fast
|0 (OCoLC)fst00982173
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650 |
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|a Jazz.
|2 fast
|0 (OCoLC)fst00982165
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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|a Music-halls (Variety-theaters, cabarets, etc.)
|z California
|x History.
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|a Sound recording industry
|x Economic aspects.
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|a Jazz
|x Social aspects.
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|a Jazz
|x History and criticism.
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|a Jazz
|x Economic aspects.
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|a Gordon, Dexter,
|d 1923-1990.
|2 fast
|0 (OCoLC)fst00096147
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|a Gordon, Dexter,
|d 1923-1990.
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|a Verve Records (Firm)
|2 fast
|0 (OCoLC)fst01561841
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|a Verve Music Group
|x History.
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2 |
0 |
|a Verve Records (Firm)
|x History.
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651 |
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7 |
|a California.
|2 fast
|0 (OCoLC)fst01204928
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655 |
|
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/62591/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
|