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Biology in the Grid : Graphic Design and the Envisioning of Life /

How grids paved the way for our biological understanding of organisms. As one of the most visual sciences, biology has an aesthetic dimension that lends force and persuasion to scientific arguments: how things are arranged on a page, how texts are interspersed with images, and how images are compose...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Thurtle, Phillip (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2018
Colección:Posthumanities ; 46.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Thurtle, Phillip,  |e author. 
245 1 0 |a Biology in the Grid :   |b Graphic Design and the Envisioning of Life /   |c Phillip Thurtle. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2018 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018 
300 |a 1 online resource (296 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Posthumanities ;  |v 46 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Life on the line : organic form -- Envisioning grids -- Warped grids : pests and the problem of order -- Modulations : envisioning variations -- Drawing together : composite lives and liquid regulations -- Epilogue : toward the nonsynthetic care of the molecular self. 
506 |a Access restricted to authorized users and institutions. 
520 |a How grids paved the way for our biological understanding of organisms. As one of the most visual sciences, biology has an aesthetic dimension that lends force and persuasion to scientific arguments: how things are arranged on a page, how texts are interspersed with images, and how images are composed reflect deep-seated beliefs about how life exists on Earth. Biology in the Grid traces how our current understanding of life and genetics emerged from the pervasive nineteenth- and twentieth-century graphic form of the grid, which allowed disparate pieces of information to form what media theorist Vilem Flusser called "technical images." Phillip Thurtle explains how the grid came to dominate biology in the twentieth century, transforming biologists' beliefs about how organisms were constructed. He demonstrates how this shift in our understanding of biological grids enabled new philosophies in endeavors such as advertising, entertainment, and even political theory. The implications of the arguments in Biology in the Grid are profound, touching on matters as fundamental as desire, our understanding of our bodies, and our view of how society is composed. Moreover, Thurtle's beautifully written, tightly focused arguments allow readers to apply his claims to new disciplines and systems. Bristling with insight and potential, Biology in the Grid ultimately suggests that such a grid-organized understanding of natural life inevitably has social and political dimensions, with society recognized as being made of interchangeable, regulated parts rather than as an organic whole. 
588 |a Description based on print version record. 
650 0 |a Art and biology  |x History. 
650 0 |a Biology  |x Graphic methods  |x History. 
650 0 |a Biology  |x History  |y 20th century. 
650 0 |a Biology  |x History  |y 19th century. 
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710 2 |a Project Muse,  |e distributor. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Posthumanities ;  |v 46. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/62368/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Global Cultural Studies