Music in the Moment /

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What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic understanding of music...

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Détails bibliographiques
Auteur principal: Levinson, Jerrold
Collectivité auteur: Project Muse
Format: Électronique eBook
Langue:Inglés
Publié: Ithaca, N.Y. : Cornell University Press, 1997.
Collection:Book collections on Project MUSE.
Sujets:
Music > Psychological aspects.
Musical perception.
Music > Philosophy and aesthetics.
Esthetische ervaring.
Muziek.
Musique > Aspect psychologique.
Perception de la musique.
Musique > Philosophie et esthetique.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Frontmatter
  • Contents
  • Musical Illustrations
  • Preface / Levinson, Jerrold
  • 1. Edmund Gurney And The Experience Of Music
  • 2. Statement And Elaboration Of Concatenationism
  • 3. Initial Defense Of Concatenationism
  • 4. Concatenationism And Causality
  • 5. Large-Scale Relationships In Music
  • 6. Sonata And Other Forms
  • 7. Further Challenges I
  • 8. Further Challenges II
  • 9. Concatenationism, Musical Value, And Musical Form
  • Works Cited
  • Index

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