An Accented Cinema : Exilic and Diasporic Filmmaking /

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An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre.

Détails bibliographiques
Auteur principal: Naficy, Hamid
Format: Électronique eBook
Langue:Inglés
Publié: Princeton : Princeton University Press, 2001.
Collection:Book collections on Project MUSE.
Sujets:
Bibel > Philemonbrief
Film.
Interculturele communicatie.
Ontwikkelingslanden.
Filmkunst.
Kulturkontakt
Exil
Motion pictures.
Intercultural communication in motion pictures.
PERFORMING ARTS > Film & Video > History & Criticism.
PERFORMING ARTS > Reference.
Communication interculturelle au cinema.
Motion pictures > Developing countries.
Entwicklungsländer
Developing countries.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Situating accented cinema
  • Interstitial and artisanal mode of production
  • Collective mode of production
  • Epostolarity and epostolary narratives
  • Chronotopes of imagined homeland
  • Chronotopes of life in exile: claustrophobia, contemporaneity
  • Journeying, border crossing, and identity crossing.

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