The Sound of Innovation : Stanford and the Computer Music Revolution /

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How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music.

Detalles Bibliográficos
Autor principal: Nelson, Andrew J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London, England : The MIT Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Stanford University > Center for Computer Research in Music and Acoustics
Stanford University. > Center for Computer Research in Music and Acoustics.
Computermusik
Music > Computer programs.
Music and technology.
Computer music.
MUSIC > General.
MUSIC > Printed Music > Percussion.
MUSIC > Musical Instruments > Piano & Keyboard.
Musique et technologie > Histoire.
Musique > Logiciels > Histoire.
Music and technology > History.
Music > Computer programs > History.
Computer music > History and criticism.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |z 9780262028769 
035 |a (OCoLC)1053419018 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Nelson, Andrew J.,  |e author. 
245 1 4 |a The Sound of Innovation :   |b Stanford and the Computer Music Revolution /   |c Andrew J. Nelson. 
264 1 |a London, England :  |b The MIT Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©[2015] 
300 |a 1 online resource:   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Inside technology 
505 0 |a Acknowledgments; 1 Introduction; 2 Setting the Stage; 3 The First Movement; 4 Tension and Release; 5 Duet for Stanford and Yamaha; 6 From Exposition to Development; 7 Plucking the Golden Gate Bridge; 8 Recapitulation and Variations; 9 Coda; Appendix: Interviews Conducted by Author; Notes; References; Index. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. 
588 |a Description based on print version record. 
610 2 7 |a Stanford University  |b Center for Computer Research in Music and Acoustics  |2 gnd 
610 2 7 |a Stanford University.  |b Center for Computer Research in Music and Acoustics.  |2 fast  |0 (OCoLC)fst00597138 
610 2 0 |a Stanford University.  |b Center for Computer Research in Music and Acoustics. 
650 7 |a Computermusik  |2 gnd 
650 7 |a Music  |x Computer programs.  |2 fast  |0 (OCoLC)fst01030303 
650 7 |a Music and technology.  |2 fast  |0 (OCoLC)fst01030490 
650 7 |a Computer music.  |2 fast  |0 (OCoLC)fst00872274 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Percussion.  |2 bisacsh 
650 7 |a MUSIC  |x Musical Instruments  |x Piano & Keyboard.  |2 bisacsh 
650 6 |a Musique et technologie  |x Histoire. 
650 6 |a Musique  |x Logiciels  |x Histoire. 
650 0 |a Music and technology  |x History. 
650 0 |a Music  |x Computer programs  |x History. 
650 0 |a Computer music  |x History and criticism. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/60822/ 

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