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Black Cultural Life in South Africa : Reception, Apartheid, and Ethics /

Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government's policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this p...

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Detalles Bibliográficos
Autor principal: Saint, Lily (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Black Cultural Life in South Africa :   |b Reception, Apartheid, and Ethics /   |c Lily Saint. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c 2018. 
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264 4 |c ©2018. 
300 |a 1 online resource (208 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a African perspectives 
505 0 |a Introduction: Ethical theory is postcolonial theory -- Black books, White bodies: reimagining the passcheck -- "Blood and thunder": popular film and Black spectatorship at the midcentury -- Race, reading, and the photocomic -- Writing ethics after apartheid. 
520 3 |a Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government's policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American "B" movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture "travels" not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms-common to cultural studies and ethical theory alike-this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint's new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels 
588 |a Description based on print version record. 
650 7 |a Popular culture  |x Moral and ethical aspects.  |2 fast  |0 (OCoLC)fst01071369 
650 7 |a Black people  |x Social conditions.  |2 fast  |0 (OCoLC)fst00834005 
650 7 |a Apartheid.  |2 fast  |0 (OCoLC)fst00811112 
650 7 |a HISTORY  |z Africa  |x South  |x Republic of South Africa.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Minority Studies.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Discrimination & Race Relations.  |2 bisacsh 
650 6 |a Apartheid  |z Afrique du Sud. 
650 6 |a Culture populaire  |x Aspect moral  |z Afrique du Sud. 
650 0 |a Apartheid  |z South Africa. 
650 0 |a Popular culture  |x Moral and ethical aspects  |z South Africa. 
650 0 |a Black people  |z South Africa  |x Social conditions  |y 21st century. 
650 0 |a Black people  |z South Africa  |x Social conditions  |y 20th century. 
651 7 |a South Africa.  |2 fast  |0 (OCoLC)fst01204616 
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945 |a Project MUSE - 2018 Global Cultural Studies