Vision's Immanence : Faulkner, Film, and the Popular Imagination /

"To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formu...

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Détails bibliographiques
Auteur principal: Lurie, Peter, 1965-
Format: Électronique eBook
Langue:Inglés
Publié: Baltimore : Johns Hopkins University Press, 2004.
Collection:Book collections on Project MUSE.
Sujets:
Faulkner, William, > 1897-1962.
Faulkner, William, > 1897-1962 > Film and video adaptations.
Faulkner, William, > 1897-1962 > Film adaptations.
Popular culture.
Motion pictures.
Film adaptations.
American fiction.
Adaptations cinematographiques.
Cinema > États-Unis > Histoire > 20e siecle.
Culture populaire > États-Unis > Histoire > 20e siecle.
American fiction > Film adaptations.
Motion pictures > United States > History > 20th century.
Popular culture > United States > History > 20th century.
United States.
History.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Adorno's modernism and the historicity of popular culture
  • "Some quality of delicate paradox": sanctuary's generative conflict of high and low
  • "Get me a nigger": mystery, surveillance, and Joe Christmas's spectral identity
  • "Some trashy myth of reality's escape": romance, history, and film viewing in Absalom, Absalom!
  • Screening readerly pleasures: modernism, melodrama, and mass markets in If I forget thee, Jerusalem
  • Modernism, jail cells, and the senses.

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