Vision's Immanence : Faulkner, Film, and the Popular Imagination /

"To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formu...

Full description

Bibliographic Details
Main Author: Lurie, Peter, 1965-
Format: Electronic eBook
Language:Inglés
Published: Baltimore : Johns Hopkins University Press, 2004.
Series:Book collections on Project MUSE.
Subjects:
Faulkner, William, > 1897-1962.
Faulkner, William, > 1897-1962 > Film and video adaptations.
Faulkner, William, > 1897-1962 > Film adaptations.
Popular culture.
Motion pictures.
Film adaptations.
American fiction.
Adaptations cinematographiques.
Cinema > États-Unis > Histoire > 20e siecle.
Culture populaire > États-Unis > Histoire > 20e siecle.
American fiction > Film adaptations.
Motion pictures > United States > History > 20th century.
Popular culture > United States > History > 20th century.
United States.
History.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Adorno's modernism and the historicity of popular culture
  • "Some quality of delicate paradox": sanctuary's generative conflict of high and low
  • "Get me a nigger": mystery, surveillance, and Joe Christmas's spectral identity
  • "Some trashy myth of reality's escape": romance, history, and film viewing in Absalom, Absalom!
  • Screening readerly pleasures: modernism, melodrama, and mass markets in If I forget thee, Jerusalem
  • Modernism, jail cells, and the senses.

Similar Items