Allusion as Narrative Premise in Brahms's Instrumental Music /

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Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously...

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Détails bibliographiques
Auteur principal: Sholes, Jacquelyn (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Bloomington, Indiana : Indiana University Press, [2018]
Collection:Book collections on Project MUSE.
Sujets:
Brahms, Johannes, > 1833-1897.
Brahms, Johannes, > 1833-1897. > Instrumental music.
Brahms, Johannes, > 1833-1897 > Criticism and interpretation.
Instrumental music (Brahms, Johannes)
Instrumental music.
MUSIC > History & Criticism.
MUSIC > Printed Music > Band & Orchestra.
MUSIC > Musical Instruments > General.
Musique instrumentale > Allemagne > Histoire et critique.
Instrumental music > Germany > History and criticism.
Germany.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • The notion of allusion as narrative premise in Brahms's instrumental music
  • Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical
  • Meaning in the B-major piano trio, op. 8
  • Musical memory and the D-major serenade, op. 11
  • An historical model, an emerging soloist, a young composer in turmoil: the piano
  • Concerto in D minor, op. 15
  • A later example: tragic antiquarianism in Brahms's fourth symphony.

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