Poetry Matters : Neoliberalism, Affect, and the Posthuman in Twenty-First Century North American Feminist Poetics /

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Bibliographic Details
Main Author: Milne, Heather, 1973- (Author)
Format: Electronic eBook
Language:Inglés
Published: Iowa City : University of Iowa Press, [2018]
Series:Book collections on Project MUSE.
Subjects:
Women and literature.
Poetics.
Feminism in literature.
Canadian poetry > Women authors.
Canadian poetry.
American poetry > Women authors.
American poetry.
LITERARY CRITICISM > Feminist.
LITERARY CRITICISM > Canadian.
LITERARY CRITICISM > Poetry.
Femmes et litterature > Canada.
Femmes et litterature > États-Unis.
Poetique > Histoire > 21e siecle.
Feminisme dans la litterature.
Women and literature > Canada.
Women and literature > United States.
Poetics > History > 21st century.
Canadian poetry > 21st century > History and criticism.
American poetry > 21st century > History and criticism.
Canadian poetry > Women authors > History and criticism.
American poetry > Women authors > History and criticism.
United States.
Canada.
History.
Criticism, interpretation, etc.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Intro; Contents; Acknowledgments; Introduction: Feminist Poetics as Cultural Critique, or, Why Poetry Matters; Part One: Economies of Flesh and Word: Biopolitics and Writing the (Posthuman) Body in Late Capitalism; Chapter One: Strategic Embodiment: Materiality, Proceduralism, and Biopolitics in Jennifer Scappettone's From Dame Quickly, Margaret Christakos's What Stirs, and Larissa Lai and Rita Wong's sybil unrest; Chapter Two: The Affective Politics of Disgust: Nikki Reimer's [sic] and Rachel Zolf's Human Resources.
  • Part Two: Poetic Matterings: New Materialist and Posthuman Feminist EcopoeticsChapter Three: De/Anthropomorphizing Language: Posthuman Poetics in Yedda Morrison's Darkness and Marcella Durand's ""The Anatomy of Oil; Chapter Four: Water and Plastic: Trans-Corporeality in Rita Wong's undercurrent and Evelyn Reilly's Styrofoam; Part Three: Geopolitics, Nationhood, Poetry; Chapter Five: Not in Our Name: Intimacy, Affect, and Witnessing in Juliana Spahr's This Connection of Everyone with Lungs, Claudia Rankine's Don't Let Me Be Lonely, and Dionne Brand's Inventory.
  • Chapter Six: Post/National Feminist Poetics in Rachel Zolf's Janey's Arcadia, Jena Osman's Corporate Relations, and Jen Benka's A Box of Longing with Fifty DrawersCoda; Permissions; Notes; Bibliography; Index.

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