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Metacinema in Contemporary Chinese Film /

Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discour...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Stuckey, G. Andrew, 1974- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Baltimore, Maryland : Project Muse, 2018
Collection:Book collections on Project MUSE.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Production: The Global Musical and Perhaps Love
  • Consumption: Genre and Quotation in Goodbye, Dragon Inn
  • True Lies: Authority, Authenticity, and Authorship in In the Heat of the Sun and Suzhou River
  • Documentarization and Amplified Realism in Jia Zhangke's Films
  • Beyond Allegory: Symbol and the Family Melodrama in Lost in Beijing.