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Race and the Revolutionary Impulse in The Spook Who Sat by the Door /
Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of...
| Autres auteurs: | , , , |
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| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Bloomington, Indiana :
Indiana University Press,
[2018]
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Introduction: The spook who sat by the door / Michael T. Martin and David Wall
- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee
- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall
- Cinema as political activism: contemporary meanings in The spook who sat by the door
- Marilyn Yaquinto
- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard
- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham
- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay.