Void and Voice : Questioning Narrative Conventions in André Gide's Major First-Person Narratives /

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Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who u...

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Détails bibliographiques
Auteur principal: O'Keefe, Charles, 1942-
Format: Électronique eBook
Langue:Inglés
Publié: Chapel Hill : Dept. of Romance Languages, the University of North Carolina at Chapel Hill, 1996.
Collection:Book collections on Project MUSE.
Sujets:
Gide, Andre, > 1869-1951.
Gide, Andre, > 1869-1951. > Symphonie pastorale.
Gide, Andre, > 1869-1951. > Porte etroite.
Gide, Andre, > 1869-1951. > Immoraliste.
Gide, Andre, > 1869-1951 > Critique et interpretation.
Gide, Andre, > 1869-1951 > Criticism and interpretation.
Porte etroite (Gide, Andre)
Immoraliste (Gide, Andre)
Fictie.
First person narrative.
LITERARY CRITICISM > Semiotics & Theory.
Recits à la premiere personne.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
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Void and voice : questioning narrative conventions in André Gide's major first-person narratives /
par O'Keefe, Charles, 1942-
Publié 1996
Texto completo
Électronique eBook
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