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171212s2018 mnu o 00 0 eng d |
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|z 2017058904
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|a 9781452957012
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|z 1452957010
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|z 9781517902667
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|a (OCoLC)1019833303
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
1 |
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|a Hunter, Dianna,
|d 1949-
|e author.
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| 245 |
1 |
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|a Wild Mares :
|b My Lesbian Back-to-the-Land Life /
|c Dianna Hunter.
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| 264 |
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1 |
|a Minneapolis :
|b University of Minnesota Press,
|c [2018]
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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| 264 |
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4 |
|c ©[2018]
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| 300 |
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|a 1 online resource (248 pages).
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 505 |
0 |
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|a COVER; Half-title Page; Title Page; Copyright Page; Table of Contents; Prologue; 1. The Great Man and the Dead Cow; 2. MAD, MAD, MAD, MAD World; 3. They Can't Kill Us All (Can They?); 4. A Room of My Own; 5. Getting There; 6. The First Lesbian Conference; 7. Country Lesbian Manifesto; 8. The Trouble with Land; 9. Suzanne Takes You Down; 10. Family of Woman; 11. Women, Horses, and Other Embodied Spirits; 12. Lurk-in-the-Ditch; 13. Another Dance and a Funeral; 14. At the Speed of Hooves; 15. Rising Moon; 16. Making Hay; 17. Mel's Place (Dick Pulls Us Through); 18. Del Lago.
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| 505 |
0 |
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|a 19. Thundering Ice, Talking Spirits20. Ravenna's Refuge; 21. Dancing Leads to This; 22. Divorce and Dispossession; 23. Going, Going, Gone; Acknowledgments; Resources; Illustration Credits; Author Biography.
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| 520 |
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|a "Dianna Hunter was a softball-loving, working-class tomboy in North Dakota, surviving the threat of the Cuban Missile Crisis and Mutually Assured Destruction in the shadow of a strategic air command base. Communists and antiwar hippies were the enemy, but lesbians were a threat, too: they were unhealthy, criminal, and downright insane. It took Dianna a while to figure out that she was one, a little longer to discover how she fit in with her new communities in the city and the countryside. This is her story--a frank account by turns comic and painful of a well-behaved Midwestern girl finding her way through polite denial and repression and running head-on into the eye-opening events of the 1960s and '70s before landing on a dairy farm. A bumpy route takes Dianna to the Twin Cities, then to rural Minnesota and Wisconsin as--by way of the antiwar movement, women's liberation, and a dose of lesbian feminism--she and her friends try to establish a rural utopia free of sexual oppression, violence, materialism, environmental degradation--and men. They dream big, love as they see fit, and make do until they don't. Dianna buys a dairy farm and, with it, a new set of problems thanks to the Reagan-era farm crisis. A firsthand account of the lesbian feminist movement at its inception, Wild Mares is a deeply personal, wryly wise, and always engaging view of identity politics lived and learned in real life and, literally, on the ground, flourishing in the fertile soil of a struggling dairy farm in the American heartland."--Publisher description.
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| 588 |
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|a Description based on print version record.
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| 650 |
|
7 |
|a Women farmers.
|2 fast
|0 (OCoLC)fst01177667
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| 650 |
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7 |
|a Lesbians.
|2 fast
|0 (OCoLC)fst00996540
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| 650 |
|
7 |
|a Farm life.
|2 fast
|0 (OCoLC)fst00921052
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| 650 |
|
7 |
|a BIOGRAPHY & AUTOBIOGRAPHY
|x Women.
|2 bisacsh
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| 650 |
|
7 |
|a TECHNOLOGY & ENGINEERING
|x Agriculture
|x Agronomy
|x General.
|2 bisacsh
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| 650 |
|
7 |
|a TECHNOLOGY & ENGINEERING
|x Agriculture
|x Agronomy
|x Crop Science.
|2 bisacsh
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| 650 |
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6 |
|a Lesbiennes
|z États-Unis.
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| 650 |
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6 |
|a Agricultrices
|z États-Unis.
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| 650 |
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6 |
|a Vie à la ferme
|z États-Unis.
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| 650 |
|
0 |
|a Lesbians
|z United States.
|
| 650 |
|
0 |
|a Women farmers
|z United States.
|
| 650 |
|
0 |
|a Farm life
|z United States.
|
| 651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
| 655 |
|
7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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0 |
|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58064/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2018 Complete
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| 945 |
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|a Project MUSE - 2018 Global Cultural Studies
|