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The Voice of Technology : Soviet Cinema's Transition to Sound, 1928-1935 /

As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialis...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Kaganovsky, Lilya (Author)
Format: Electronic eBook
Language:Inglés
Published: Baltimore, Maryland : Project Muse, 2018
Series:Book collections on Project MUSE.
Subjects:
Online Access:Texto completo
Table of Contents:
  • Introduction : the long transition : Soviet cinema and the coming of sound
  • The voice of technology and the end of Soviet silent film : Grigori Kozintsev and Leonid Trauberg's Alone
  • The materiality of sound : Dziga Vertov's Enthusiasm and Esfir Shub's K.Sh.E.
  • The homogeneous thinking subject, or Soviet cinema learns to sing : Igor Savchenko's The accordion
  • Multilingualism and heteroglossia in Aleksandr Dovzhenko's Ivan and Aerograd
  • "Les silences de la voix" : Dziga Vertov's Three songs of Lenin
  • Conclusion : socialist realist sound.