The Mitki and the Art of Postmodern Protest in Russia /

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During the late Soviet period, the art collective known as the Mitki emerged in Leningrad. Producing satirical poetry and prose, pop music, cinema, and conceptual performance art, this group fashioned a playful, emphatically countercultural identity with affinities to European avant-garde and Americ...

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Détails bibliographiques
Auteur principal: Mihailovic, Alexandar (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Madison, Wisconsin : The University of Wisconsin Press, [2018]
Collection:Book collections on Project MUSE.
Sujets:
Gruppa "Mitʹki"
Gruppa "Mitʹki."
Avant-garde (Aesthetics)
Art > Political aspects.
Art movements.
ART > History > General.
Art > Aspect politique > Russie.
Mouvements artistiques > Russie > Saint-Petersbourg > Histoire > 20e siecle.
Art > Political aspects > Russia (Federation)
Avant-garde (Aesthetics) > Russia (Federation) > Saint Petersburg > History > 20th century.
Art movements > Russia (Federation) > Saint Petersburg > History > 20th century.
Russia (Federation) > Saint Petersburg.
Russia (Federation)
History.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: Post modern, or The Mitki's chronicle of Russian leadership
  • Glimmer twins of the Leningrad underground: the creation of Dmitri Shagin in Vladimir Shinkarev's Mitki
  • "Who is this heroic man?": David Bowie and the Mitki's queering of masculinity
  • Fire water: alcoholism and rehabilitation in the St. Petersburg of the Mitki
  • Mosaic authorship: a coproduction of Olga and Aleksandr Florensky
  • Satire, sex, and chance: the creative diary of Viktor Tikhomirov
  • Conclusion: Icarus rising, or The Mitki against twenty-first-century Russia
  • Appendix: Vladimir Shinkarev, "In praise of the bioler room."

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