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Foucault on Painting /
Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault?s sustai...
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| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Minneapolis, MN :
University of Minnesota Press,
[2017]
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Texto completo |
| Summary: | Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault?s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. Foucault?s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and?70s) as well as five individual artists: Velázquez, Manet, Magritte, Paul Reyberolle, and Gerard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. |
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| Item Description: | Two of the Plates are only available in the Print edition of this book, therefore there are 10 unnumbered pages of plates in the electronic edition, instead of 12 pages. |
| Physical Description: | 1 online resource (136 pages). |
| ISBN: | 9781452955049 |