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I Hear a Symphony : Motown and Crossover R&B /
I Hear a Symphony" opens new territory in the study of Motown's legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit's postwar black middle class; that Motown's creative personnel participated in an African-American tradition of dialogism in rhyt...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
[2017]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 170609s2017 miu o 00 0 eng d | ||
| 010 | |z 2017011934 | ||
| 020 | |a 9780472122875 | ||
| 020 | |z 9780472036868 | ||
| 020 | |z 9780472117413 | ||
| 035 | |a (OCoLC)989733275 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Flory, Andrew, |e author. | |
| 245 | 1 | 0 | |a I Hear a Symphony : |b Motown and Crossover R&B / |c Andrew Flory. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2017] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©[2017] | |
| 300 | |a 1 online resource (344 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Tracking pop | |
| 505 | 0 | |a Contents -- Acknowledgments -- Introduction -- 1. Searching for Motown -- 2. The Rise of the Motown Sound -- 3. Motown and Soul -- 4. Motown International -- 5. From Motown to the MoWest -- 6. The 1980s and Beyond -- Appendixes -- Appendix 1: Selected International Recordings of Motown Songs, 1963â#x80;#x93;68 (Excluding England) -- Appendix 2: Selected Recordings of Motown Songs Released in England, 1963â#x80;#x93;67 -- Notes -- Bibliography | |
| 520 | 8 | |a I Hear a Symphony" opens new territory in the study of Motown's legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit's postwar black middle class; that Motown's creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous "Motown Sound." Throughout the book, Flory focuses on the central importance of "crossover" to the Motown story; first as a key concept in the company's efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory's work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts. | |
| 588 | |a Description based on print version record. | ||
| 610 | 2 | 7 | |a Motown Record Corporation. |2 fast |0 (OCoLC)fst00598013 |
| 610 | 2 | 0 | |a Motown Record Corporation |x History. |
| 650 | 7 | |a Rhythm and blues music. |2 fast |0 (OCoLC)fst01097281 | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 0 | |a Rhythm and blues music |x History and criticism. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/52467/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 Film, Theater and Performing Arts | ||