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Networks of sound, style and subversion : The punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 /

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analy...

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Detalles Bibliográficos
Autor principal: Crossley, Nick, 1968- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)981546383 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Crossley, Nick,  |d 1968-  |e author. 
245 1 0 |a Networks of sound, style and subversion :   |b The punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 /   |c Nick Crossley. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2015. 
300 |a 1 online resource (288 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Music and society 
505 0 |a Cover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks. 
505 0 |a 10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index. 
520 |a This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. 
588 |a Description based on print version record. 
650 7 |a Punk rock music.  |2 fast  |0 (OCoLC)fst01084153 
650 7 |a Punk culture.  |2 fast  |0 (OCoLC)fst01084152 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 6 |a Punk (Musique)  |z Grande-Bretagne  |x Histoire et critique. 
650 0 |a Punk culture  |z Great Britain. 
650 0 |a Punk rock music  |z Great Britain  |x History and criticism. 
651 7 |a Great Britain.  |2 fast  |0 (OCoLC)fst01204623 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/51388/ 
945 |a Project MUSE - Custom Collection