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MdBmJHUP |
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151223s2015 enk o 00 0 eng d |
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|a 9781847799937
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|z 9780719088643
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|z 9780719088650
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|z 1847799930
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|a (OCoLC)981546383
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Crossley, Nick,
|d 1968-
|e author.
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245 |
1 |
0 |
|a Networks of sound, style and subversion :
|b The punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 /
|c Nick Crossley.
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264 |
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1 |
|a Manchester :
|b Manchester University Press,
|c 2015.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2017
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264 |
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|c ©2015.
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300 |
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|a 1 online resource (288 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Music and society
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505 |
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|a Cover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks.
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|a 10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index.
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520 |
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|a This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Punk rock music.
|2 fast
|0 (OCoLC)fst01084153
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650 |
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7 |
|a Punk culture.
|2 fast
|0 (OCoLC)fst01084152
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650 |
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7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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650 |
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6 |
|a Punk (Musique)
|z Grande-Bretagne
|x Histoire et critique.
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650 |
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0 |
|a Punk culture
|z Great Britain.
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650 |
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0 |
|a Punk rock music
|z Great Britain
|x History and criticism.
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651 |
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7 |
|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/51388/
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945 |
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|a Project MUSE - Custom Collection
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