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Mixed messages : American correspondences in visual and verbal practices /

Addresses a genuine gap in word and image studies. It offers fresh conceptual frameworks in which to think about the relationship between visual and verbal practices, with American works and artefacts positioned within the context of the American philosophical tradition.

Détails bibliographiques
Autres auteurs: Garland, Sarah (Éditeur intellectuel), Gander, Catherine (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: Manchester : Manchester University Press, 2016.
Collection:Book collections on Project MUSE.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Foreword
  • Miles Orvell Introduction
  • Catherine Gander and Sarah Garland 1. A poetics of organic expression: Louis Sullivan's transcendentalist legacy in word and image
  • Lauren S. Weingarden 2. Photographic studies in the Hawthornes' American note-books
  • Jessie Morgan-Owens 3. Fragments of the future: Walker Evans's polaroids
  • Caroline Blinder 4. Cartooning the marvelous: word and image in Chicago Surrealism
  • Joanna Pawlik 5. 'Twenty-six things at once': Pragmatic perspectives on Frank O'Hara and Norman Bluhm's Poem-Paintings
  • Catherine Gander 6. 'Being kept in the dark can be a critical gesture': Arakawa and Madeline Gins' Mechanism of Meaning
  • Sarah Garland 7. 'Then art will change. This is the future': Nancy Spero's manifestary practice
  • Rachel Warriner 8. Forms of potential: reading Lawrence Weiner
  • Katie L. Price 9. Testimony by hand: Ann Hamilton's myein
  • Julie Brown 10. Reading with a knife, or the book art of subtraction: Brian Dettmer and Doug Beube's altered books
  • Katy Masuga Envoi
  • Catherine Gander and Sarah Garland Index.