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060307s2006 nyu o 00 0 eng d |
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|a 9780791482308
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|z 0791466418
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|z 9780791466414
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|a (OCoLC)868030825
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|a MdBmJHUP
|c MdBmJHUP
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|a Rojcewicz, Richard.
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|a Gods and Technology, The :
|b A Reading of Heidegger /
|c Richard Rojcewicz.
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|a Albany :
|b State University of New York Press,
|c 2006.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2012
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|c ©2006.
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|a 1 online resource (256 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a SUNY series in theology and continental thought
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|a The Gods and Technology; Contents; Preface; Introduction; I. Ancient Technology; The four causes as obligations, as making ready the ground; The so-called efficient cause in Aristotle; Letting, active letting, letting all the way to the end; Producing, bringing-forth, nature; Manufacture and contemplation; Disclosive looking; Technology and truth; The Greek concept of techne; Ancient technological practice as poiesis; 2. Modern Technology; Ancient versus modern technology; Modern technology as a challenging: The gear and thecapacitor; Modern technology as an imposition.
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|a Modern technology as a ravishmentModern technology as a disposing; "Disposables"; Ge-stell, the "all-encompassing imposition"; The essence of modern technology as nothing technological; Science as harbinger; Causality; modern physics; The novelty of modern technology; 3. The Danger in Modern Technology; Asking about and asking for; Sent destiny, history, chronology; Freedom; Hastening; Doom; The danger; The highest danger; The occultation of poiesis; That which might save; The sense of essence; Enduring; Bestowal; The essence as something bestowed; Bestowal as what might save; The mystery.
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|a The constellationTransition to the question of art; 4. Art; (Metaphysical) aesthetics versus (ontological)philosophy of art; Art as most properly poetry; Art and the history of Being; Art and technology; Questioning; 5. Detachment; Contemplation; Detachment (Gelassenheit); Openness to the mystery, autochthony, lasting human works; Conclusion: phenomenology, improvisation on the piety in art; Notes; Cited Works of Heidegger; Bibliography of Major Secondary Studies ; Index; A; B; C; D; E; F; G; H; I; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
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| 546 |
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|a English.
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| 588 |
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|a Description based on print version record.
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| 600 |
1 |
7 |
|a Heidegger, Martin,
|d 1889-1976.
|2 fast
|0 (OCoLC)fst00032385
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| 600 |
1 |
0 |
|a Heidegger, Martin,
|d 1889-1976.
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| 650 |
|
7 |
|a Technology
|x Philosophy.
|2 fast
|0 (OCoLC)fst01145171
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| 650 |
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|a PHILOSOPHY
|x History & Surveys
|x Modern.
|2 bisacsh
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| 650 |
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|a Technologie
|x Philosophie.
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| 650 |
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|a Technology
|x Philosophy.
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| 655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/5020/
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - Archive Complete Foundation
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| 945 |
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|a Project MUSE - Archive Philosophy and Religion Foundation
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