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Composing for the Screen in Germany and the USSR : Cultural Politics and Propaganda /
Film music was a key ingredient in the propaganda of the Nazis and Stalin. Here, the contributors apply various methodologies - including archival work, close readings, political histories, and style comparison - to investigate film music from the vibrant and politically charged period before World...
| Autres auteurs: | , |
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| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Bloomington :
Indiana University Press,
2008.
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Germany. Film music in the Third Reich / Robert E. Peck ; Herbert Windt's film music to Triumph of the will : ersatz-Wagner or incidental music to the ultimate Nazi-Gesamtkunstwerk? / Reimar Volker ; Alban Berg, Lulu, and the silent film / Marc Weiner ; From revolution to mystic mountains : Edmund Meisel and the politics of modernism / Christopher Morris ; New technologies and old rites : dissonance between picture and music in readings of Joris Ivens's Rain / Ed Hughes ; "Composition with film" : Mauricio Kagel as filmmaker / Björn Heile
- The USSR. Eisenstein's theory of film music revisited : silent and early sound antecedents / Julie Hubbert ; Aleksandr Nevskiy : Prokofiev's successful compromise with socialist realism / Rebecca Schwartz-Bishir ; In marginal fashion : sex, drugs, Russian modernism, and new wave music in Liquid sky / Mitchell Morris.