Cinema's Bodily Illusions : Flying, Floating, and Hallucinating /

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Do contemporary big-budget blockbuster films like Gravity move something in us that is fundamentally the same as what avant-garde and experimental films have done for more than a century? In a powerful challenge to mainstream film theory, "Cinema?s Bodily Illusions" demonstrates that this...

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Détails bibliographiques
Auteur principal: Richmond, Scott C.
Format: Électronique eBook
Langue:Inglés
Publié: Minneapolis : University of Minnesota Press, 2016.
Collection:Book collections on Project MUSE.
Sujets:
Perception (Philosophy)
Motion pictures > Psychological aspects.
Motion pictures > Aesthetics.
Illusion in motion pictures.
Cinematography > Special effects.
PERFORMING ARTS > Film & Video > History & Criticism.
PERFORMING ARTS > Reference.
perception.
Cinema > Esthetique.
Illusion au cinema.
Cinema > Effets speciaux.
Perception (Philosophie)
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: proprioceptive aesthetics, or the cinema
  • The unfinished business of modernism: anemic cinema
  • Beyond the infinite, at home in finitude: 2001
  • Ecological phenomenology: Merleau-Ponty and Gibson
  • Proprioception, the ocart: Koyaanisqatsi
  • The body, unbounded: Gravity
  • Aesthetics beyond the The flicker
  • Conclusion: the technicity of the cinema.

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