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Mothers, Comrades, and Outcasts in East German Women's Film /

"Mothers, Comrades, and Outcasts in East German Women's Film merges feminist film theory and cultural history in an investigation of "women's films" that span the last two decades of the former East Germany. Jennifer L. Creech explores the ways in which these films functione...

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Detalles Bibliográficos
Autor principal: Creech, Jennifer L., 1973- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9780253023018 
035 |a (OCoLC)954536932 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Creech, Jennifer L.,  |d 1973-  |e author. 
245 1 0 |a Mothers, Comrades, and Outcasts in East German Women's Film /   |c Jennifer L. Creech. 
264 1 |a Bloomington :  |b Indiana University Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (306 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a New directions in national cinemas 
505 0 |a Introduction: rescuing history from the ruins -- Happily ever after? the emancipatory politics of female desire in Lot's wife -- The lonely woman? (re)production and feminine desire in the Bicycle and on probation -- Pleasure in seeing ourselves? all my girls -- Real women: goodbye to winter and the documentary women's film -- Conclusion: after the fall. 
520 |a "Mothers, Comrades, and Outcasts in East German Women's Film merges feminist film theory and cultural history in an investigation of "women's films" that span the last two decades of the former East Germany. Jennifer L. Creech explores the ways in which these films functioned as an alternative public sphere where official ideologies of socialist progress and utopian collectivism could be resisted. Emerging after the infamous cultural freeze of 1965, these women's films reveal a shift from overt political critique to a covert politics located in the intimate, problem-rich experiences of everyday life under socialism. Through an analysis of films that focus on what were perceived as "women's concerns"--Marital problems, motherhood, emancipation, and residual patriarchy--Creech argues that the female protagonist served as a crystallization of socialist contradictions. By framing their politics in terms of women's concerns, these films used women's desire and agency to contest the more general problems of social alienation and collectivism, and to re-imagine the possibilities of self-fulfillment under socialism." 
588 |a Description based on print version record. 
650 6 |a Films de femme  |z Allemagne (Est) 
650 6 |a Cinema  |z Allemagne (Est)  |x Histoire. 
650 6 |a Femmes au cinema. 
650 7 |a Women in motion pictures.  |2 fast  |0 (OCoLC)fst01177931 
650 7 |a Motion pictures for women.  |2 fast  |0 (OCoLC)fst01027432 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 0 |a Motion pictures for women  |z Germany (East) 
650 0 |a Motion pictures  |z Germany (East)  |x History. 
650 0 |a Women in motion pictures. 
651 7 |a Germany (East)  |2 fast  |0 (OCoLC)fst01210274 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/47063/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts