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American Trajectories : Authors and Readings, 1790-1970 /

In American Trajectories Warner Berthoff argues that even in the broadest cultural and historical perspective, imaginative literature (like all the arts) is a matter of individual signatures and differences, but that there are also recognizable patterns and continuities marking off what is distincti...

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Detalles Bibliográficos
Autor principal: Berthoff, Warner
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University Park, Pa. : Pennsylvania State University Press, 1994.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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245 1 0 |a American Trajectories :   |b Authors and Readings, 1790-1970 /   |c Warner Berthoff. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©1994. 
300 |a 1 online resource (200 pages). 
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505 0 |a Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Part I -- 1. Continuity in Discontinuity: Literature in the American Situation -- Part II -- 2. "The People's Author": Attempting to Find Mr. Mark Twain -- 3. Emily Dickinson: The Community of the Poem -- 4. Adventures of the Young Man: Brockden Brown's Arthur Mervyn -- 5. The Scandal of Kate Chopin -- 6. O. Henry: His Life and Afterlife -- 7. Modern Instances: Brooks, Mumford, Dreiser -- The Mutual Admiration Pact of Van Wyck Brooks and Lewis Mumford -- Robert Penn Warren's Dreiser 
505 0 |a 8. "The Flight of the Rocket" and "The Last Good Country": Fitzgerald and Hemingway in the 1920s, and After -- 9. Pay Day: The Case of Nathan Asch -- A Note on the Sacco-Vanzetti Case -- Pay Day's Critical Reception -- 10. "Everything Is All Right and Difficult": The Poems of Frank O'Hara -- 11. Life "Upstate": Edmund Wilson's American Memoir -- Part III -- 12. Culture and Consciousness, 1860-1915: The Onset of the Modern -- Permissions -- Index 
520 |a In American Trajectories Warner Berthoff argues that even in the broadest cultural and historical perspective, imaginative literature (like all the arts) is a matter of individual signatures and differences, but that there are also recognizable patterns and continuities marking off what is distinctively American, what both reflects and speaks for a shared national experience. Discussions of Emily Dickinson and Twain, Scott Fitzgerald and Ernest Hemingway, Kate Chopin, Theodore Dreiser, and Edmund Wilson focus on the provenance and central character of writing by mainstream figures in our literary past. The essays on Charles Brockden Brown, Nathan Asch, O. Henry, Frank O'Hara, and Lewis Mumford and Van Wyck Brooks take up marginal, neglected, forgotten, or not yet fully acknowledged contributors to American writing. 
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