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Expressive Forms in Brahms's Instrumental Music : Structure and Meaning in His Werther Quartet /
The result is an elucidating and original interpretation of the music of a celebrated composer, and a significant addition to studies in music theory."--Jacket
| Auteur principal: | |
|---|---|
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Bloomington :
Indiana University Press,
2005.
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| Collection: | Book collections on Project MUSE.
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| Sujets: |
Brahms, Johannes
> 1833-1897
> Quartette
> Violine
> Viola
> Violoncello
> Klavier
> Nr. 3
> op. 60
> c-Moll
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| Accès en ligne: | Texto completo |
Table des matières:
- Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work
- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint
- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form
- Brahms and Schenker : a mutual response to sonata form
- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts
- Toward an expressive interpretation : correlations for suicidal despair
- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition.