Contemporary Sino-French Cinemas : Absent Fathers, Banned Books, and Red Balloons /

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Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world....

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Detalles Bibliográficos
Autor principal: Bloom, Michelle E.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu : University of Hawaii Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Koproduktion
Film
Motion pictures.
Coproduction (Motion pictures, television, etc.)
SOCIAL SCIENCE > Anthropology > Cultural.
HISTORY > Asia > General.
Cinema > Chine > Histoire.
Cinema > Taiwan > Histoire.
Coproduction > Chine.
Coproduction > Taiwan.
Coproduction > France.
Coproduction (Motion pictures, television, etc.) > France.
Coproduction (Motion pictures, television, etc.) > Taiwan.
Coproduction (Motion pictures, television, etc.) > China.
Motion pictures > Taiwan > History.
Motion pictures > China > History.
Taiwan
Frankreich
China
Taiwan.
France.
China.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The Sino-French as metissage : Cheng Yu-Chieh's Yang yang
  • Intertextuality as metissage in Tsai Ming-liang's Sino-French films : What time is it there? and Face
  • The intertextuality of the remake : Hou Hsiao-hsien's Flight of the red balloon
  • The translations of Dai Sijie's Balzac and The little Chinese seamstress
  • Imitating Frenchness in Emily Tang Xiaobai's Conjugation and Jia Zhangke's The world.

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