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Speaking Pictures : Neuropsychoanalysis and Authorship in Film and Literature /

Alistair Fox presents a theory of literary and cinematic representation through the lens of neurological and cognitive science in order to understand the origins of storytelling and our desire for fictional worlds. Fox contends that fiction is deeply shaped by emotions and the human capacity for met...

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Detalles Bibliográficos
Autor principal: Fox, Alistair
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Speaking Pictures :   |b Neuropsychoanalysis and Authorship in Film and Literature /   |c Alistair Fox. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2016. 
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505 0 |a Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion. 
520 |a Alistair Fox presents a theory of literary and cinematic representation through the lens of neurological and cognitive science in order to understand the origins of storytelling and our desire for fictional worlds. Fox contends that fiction is deeply shaped by emotions and the human capacity for metaphorical thought. Literary and moving images bridge emotional response with the cognitive side of the brain. In a radical move to link the neurosciences with psychoanalysis, Fox foregrounds the interpretive experience as a way to reach personal emotional equilibrium by working through autobiographical issues within a fictive form. 
588 |a Description based on print version record. 
650 7 |a Psychoanalyse  |2 gnd 
650 7 |a Neurologie  |2 gnd 
650 7 |a Film  |2 gnd 
650 7 |a Fiktion  |2 gnd 
650 7 |a Psychology and literature.  |2 fast  |0 (OCoLC)fst01081551 
650 7 |a Motion pictures  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst01027364 
650 7 |a Fiction  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst00923742 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00882393 
650 7 |a Authorship  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst00822467 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a REFERENCE  |x Writing Skills.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Rhetoric.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Composition & Creative Writing.  |2 bisacsh 
650 6 |a Psychologie et litterature. 
650 6 |a Art d'ecrire  |x Aspect psychologique. 
650 6 |a Roman  |x Aspect psychologique. 
650 0 |a Motion pictures  |x Psychological aspects. 
650 0 |a Creation (Literary, artistic, etc.) 
650 0 |a Psychology and literature. 
650 0 |a Authorship  |x Psychological aspects. 
650 0 |a Fiction  |x Psychological aspects. 
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