Dancing Jacobins : A Venezuelan Genealogy of Latin American Populism /

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"Dancing Jacobins traces the populist 'monumental governmentality' that began to take shape in Venezuela and other Latin American nations around the time of independence, in response to the insistent return of subaltern populations in the form of crowds. Informed by a Bolivarian polit...

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Bibliographic Details
Main Author: Sánchez, Rafael, 1950- (Author)
Format: Electronic eBook
Language:Inglés
Published: New York : Fordham University Press, 2016.
Edition:First edition.
Series:Book collections on Project MUSE.
Subjects:
Chávez Frías, Hugo.
Public relations and politics.
Presidents.
Populism.
Politics and government.
Politicians.
Political culture.
SOCIAL SCIENCE > Anthropology > Cultural.
POLITICAL SCIENCE > History & Theory.
HISTORY > Latin America > South America.
Populisme > Amerique latine > Histoire.
Relations publiques et politique > Venezuela > Histoire.
Hommes politiques > Venezuela > Histoire.
Presidents > Venezuela > Biographies.
Foules > Aspect politique > Venezuela > Histoire.
Populisme > Venezuela > Histoire.
Populism > Latin America > History.
Political culture > Venezuela > History.
Public relations and politics > Venezuela > History.
Politicians > Venezuela > History.
Presidents > Venezuela > Biography.
Crowds > Political aspects > Venezuela > History.
Populism > Venezuela > History.
Venezuela.
Latin America.
Amerique latine > Politique et gouvernement.
Venezuela > Politique et gouvernement > 1999-
Latin America > Politics and government.
Venezuela > Politics and government > 1999-
History.
Biographies.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Introduction: Populist Governmentality
  • Overture
  • Archeologies
  • Bullying for Independence
  • Statues and Statutes
  • Theater for the Masses
  • Monumental Governmentality
  • The French Repertoire
  • Scenes of the Imaginary I : The Fragile Collection
  • Scenes of the Imaginary II : Bolívar Superstar
  • The (Bolivarian) People is in the Army
  • Conclusion: "In my image and likeness."

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