Performance and Personhood in Caribbean Literature : From Alexis to the Digital Age /

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Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Román shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circums...

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Détails bibliographiques
Auteur principal: Murray-Román, Jeannine, 1977- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: London : University of Virginia Press, [2016]
Collection:Book collections on Project MUSE.
Sujets:
Self-perception in literature.
Performance in literature.
Literature and society.
Caribbean literature.
BIOGRAPHY & AUTOBIOGRAPHY > Literary.
Litterature et societe > Caraïbes (Region) > Histoire > 20e siecle.
Perception de soi dans la litterature.
Rendement au travail dans la litterature.
Litterature antillaise > 20e siecle > Histoire et critique.
Literature and society > Caribbean Area > History > 20th century.
Caribbean literature > 20th century > History and criticism.
Caribbean Area.
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Performance and the expansion of personhood in Marissa Chibas's Daughter of a Cuban revolutionary
  • Creole's thinking body: Patrick Chamoiseau and Marlon James
  • From spectator to participant: audience formation in Guillermo Cabrera Infante's Tres tristes tigres, Oonya Kempadoo's Tide running, and Ernest Pepin's L'envers du decor
  • Staceyann Chin and Zoe Valdes: sexilic politics in the blogosphere
  • Dansez et revivez!": reviving personhood in Rosario Ferre's "Maquinolandera" and Jacques Stephen Alexis's Les arbres musiciens
  • Coda.

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